Location: Budapest XIV., Stefánia út 2.
Senior architects: SKARDELLI György, POTTYONDY Péter, GÁSPÁR László, LÁZÁR Ferenc
Project manager architect: SZABADOS László
Associate architects: MOLNÁR J. Tibor, DUDÁS István, FARKAS Zsolt, RADVÁNYI Katalin, TARNÓCZKYNÉ BÁLINT Andrea, KÁDAS Eszter, KONCZ Zsuzsa, NÁDAINÉ KOVÁCS Sarolta
Interior designer: PLACHTOVICS Vilmos
Landscape designer: HAVASSY Gabriella
Area: 132 000 m2
The original Budapest Sports Arena burned down at the end of 1999. The new arena building and the reconstruction of its surroundings had an integrated architectural design concept and they were built in high quality in only 18 months. The new Budapest Sports Arena has become one of the largest and most important public buildings of the country. It is a suitable venue not only for sports and cultural events, conferences and exhibitions, but also for special entertainment shows. The maximum capacity of the square and the building is 12.500 spectators.
The various existing functions in the surrounding area had to be incorporated in the new design: a large public parking area, a long distance bus station, a post office, a hotel and a metro station with two exits. These had to be integrated with the extra parking areas required and the considerable service traffic of the new arena. Moreover, a new urban square had to be established around the building to provide worthy surroundings and a possible new public centre for the district.
Access to the Square is through ramps, steps and stepped ramps, starting from the main traffic junction. The different paved areas of the Square are divided by large planted areas complete with trees. The plane of the Square is broken by several sharp Crystals - housing a cafeteria, a shop, an exhibition, or a staircase - in strong contrast with the huge, streamlined volume of the Arena. Some of the Crystals provide access to the Square from the parking levels through staircases and lifts. The most important, ruling element of the architectural composition is the Arena, which starts six meters below and it is connected to the Square by bridges.
The great, aluminium-clad volume with its metallic shine appears without a fault from its lowest point to the top. The necessary strip windows and outdoor mechanical spaces are hidden behind louvred elements following the contour of the building. The side entrances are particularly shaped slits with doors deep inside. The glazed main entrance is cut out of the streamlined body like a huge mouth, reflecing the sunlight in the daytime and radiating light at night.